Good morning, Chicago.
What will win, and what should win? That’s the eternal question on the mind of movie buffs watching the 2024 Academy Awards tonight.
Check out Tribune film critic Michael Phillips’ predictions in what he calls a year of movie riches.
“Sunday’s Academy Awards ceremony marks Hollywood’s 96th festival of statuettes and humility,” Phillips writes. “We’re still here, some of us watching, even. And while we’re still here, if we can’t take the time to cheapen the entire medium with a few Oscar night predictions, then we really have lost our way.”
And if you’re feeling like an expert on this year’s nominees, test your knowledge with our 2024 Oscars quiz.
Below is our list of reviews from this year’s nominees for best picture to refresh your memory before tonight’s ceremony.
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‘American Fiction’ review: Jeffrey Wright shines in a comedy of a fake Black memoir’s rise to the top of the bestseller list
Wright has a great cast around him, with ringers up and down. Sterling K. Brown as Monk’s estranged brother; Tracee Ellis Ross as his sister; Leslie Uggams as the family matriarch, whose health is not great; Erika Alexander as the public defender across the way from Monk’s family’s summer place; everyone’s a vital and supple part of a true ensemble affair.
‘Anatomy of a Fall’: Winner of the 2023 Palme d’Or winner at Cannes
The film, a leisurely, snakelike courtroom drama wrapped in a whodunit, concerns the murder or suicide of a husband and the fingers of suspicion pointed at, among others, the wife, played by the great German actor Sandra Hüller.
Ryan Gosling, left, as Ken and Margot Robbie as Barbie in the “Barbie” movie. (Warner Bros. Pictures)
‘Barbie’ review: A doll’s life is richly, unexpectedly imagined by Greta Gerwig and Margot Robbie
Gerwig’s a wizard at tone management, and at keeping the spirit lively, even when things are looking less than happily-ever-after.
‘The Holdovers’ review: Have a merry sweet-and-sour ’70s Christmas with Paul Giamatti and company
Giamatti has worked related territory before, in “Sideways,” where the borderline-alcoholic he played poured his energies into frustrated literary ambitions. Is he too much? Too hammy? Some think so. Not me. He’s an unusually astute judge of scale, not to mention inflection and timing.
‘Killers of the Flower Moon’ review: Scorsese delivers an epic of oil, greed, racism and sorrow, set in 1920s Oklahoma
Scorsese has rendered a tragic, forlorn piece of American history, indebted equally to classical Hollywood craftsmanship and the director’s own obsessions with honor, guilt, family, criminal codes and America’s centuries of greedy bloodshed.
‘Maestro’ review: Bradley Cooper wields the baton as Leonard Bernstein. But Carey Mulligan conducts the movie.
For a movie made with full, scrutinizing consent of the Leonard Bernstein estate and surviving family members, “Maestro” is considerably more interesting, nuanced and engaging than the usual squaresville biopic.
‘Oppenheimer’ review: Christopher Nolan and Cillian Murphy dissect the tortured conscience behind our atomic age
It stars a pitch-perfect Cillian Murphy as the thin man in the famously oversized fedora, with filmmaker Christopher Nolan freely adapting Kai Bird and Martin J. Sherwin’s superb Oppenheimer 2006 biography “American Prometheus.”
‘Past Lives’ review: A delicate romantic triangle forms the year’s most gratifying film so far
It’s a rare movie that settles, quietly, into some part of your own experiences and memories without a speck of narrative contrivance gumming up your response to the story on the screen. “Past Lives” is that rarity.
Review: ‘Poor Things’ stars Emma Stone in a rich lesson of humanness
“Poor Things” is Yorgos Lanthimos’ strange and ravishing masterpiece about a young woman who receives one of life’s rare gifts: a chance to start over, from scratch. What will Bella do with her new lease on life? She’ll devour every last crumb, without an ounce of shame.
A scene from the movie “The Zone of Interest.” (A24/TNS)
‘The Zone of Interest’ review: In this unforgettable Holocaust film, life outside of Auschwitz is devastatingly normal
A singular affront, in ways more conventionally wrenching movie treatments of the Holocaust such as “Schindler’s List” never were, “The Zone of Interest” withholds as much as it reveals, reorienting the audience’s perspective on the 20th century’s defining atrocity.
Chicago Tribune , 2024-03-10 12:57:33
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